An Omaha ranch home with its roofline in red over white for game day

Finished installs, and what each one was set to.

Every photograph on this page is a Brytr system on a real Omaha home: no renders, no stock houses, no borrowed shots. Grouped by what the system is set to rather than by house, because the point is that none of these needed different hardware.

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Every frame is a Brytr install.

One system, every scene here
Nothing on this page needed different hardware. It is the same run set to different things.
Daylight frames included
Galleries in this trade are night shots only. There are daytime frames here as well.
Zoned, so color lands where you chose
Gables scarlet with the eaves left white is two zones, not a compromise.

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An Omaha home photographed from above at night, the red runs tracing every ridge and valley of the roof

A brick Omaha home with the gable run in amber and the lower run in cyan

A brick Omaha two-story with one gable in red, another in blue and white along the eaves

The same roofline, photographed as the settings changed.

A drone held its position over one property west of Omaha for a minute and a half while the scenes were switched through from a phone. Same roof, same sky, same camera. Read them left to right.

The same house minutes later with the run dimmed to a low warm white, enough to read the driveway by — Dimmed warm white. Enough to find the door and read the driveway by, which is what most people leave it on.

A brick and cedar ranch west of Omaha at dusk, its roofline, eaves and garage band on everyday warm white — The everyday setting. Roofline, eaves and the band over the garage, warm and not bright.

The same house with every point along the roofline and eaves at full warm white — The same warm white at full output. For a lot of houses this is the whole Christmas scene.

The same house with the roofline alternating red and green — Red and green alternating along the roofline. Same fixtures, same evening, one setting changed.

The same house washed red across the whole elevation with white left at the roof peaks — Scarlet across the elevation with white held at the peaks, so the roof still reads as a roof.

The everyday setting

Where the system sits most nights

The setting nobody pictures before the consultation, and the one that sells it: warm white on a schedule, most nights of the year.

An Omaha home, pergola and pool deck on warm white at dusk — Warm white, whole property
House, pergola and hardscape on the everyday setting.

A stucco and stone prairie-style Omaha home at twilight with warm white under the eaves — Warm white, civil twilight
The twenty minutes after sunset when this product looks best, which is also when we design it.

An Omaha home in shake and brick with a wood garage door, warm white downlights along every eave and gable — Warm white, shake and brick
Downlights under every eave and gable, tucked up out of the sightline.

A craftsman Omaha home at blue hour, warm white along the porch roof and the upper gables — Warm white, porch and gables
Porch roof and upper gables carried on one run, at blue hour.

A gray Omaha two-story at blue hour with warm downlights over the porch and a flag by the door — Warm white, an ordinary evening
No occasion, no scene, nobody at home looking at it. Most of what this system does.

A wide low Omaha ranch at night with warm white holding a straight line the full length of the roof — Warm white, the long line
A low ranch has nothing to break the run, so the line has to hold for its whole length.

A dark-clad modern farmhouse in Omaha with a restrained warm white line along the roof edges — Warm white, dark siding
On dark siding warm white reads as architecture rather than as decoration.

A brick Omaha home with several gables all lit warm, the entry glowing behind the glass — Warm white, a complicated roof
More gables means more corners, and corners are where an install shows its quality.

Occasions, saved as scenes

Set once, scheduled, forgotten

Saved scenes, not different hardware. They run on a date range and put themselves back afterwards.

An Omaha home in red, white and blue for the Fourth of July — Fourth of JulyRed and blue on the gables, white left on the eaves.

An Omaha home washed violet for Halloween — Halloween
October scene, pumpkins included. Ran for the month, unattended.

Individual red and green LEDs alternating along the gables of an Omaha home — Christmas
Close up, you can count the pixels. Alternating red and green, scheduled Thanksgiving to New Year.

An Omaha roofline in pink and teal — Birthday
Set from the app the morning of. Back to warm white the next night.

An Omaha ranch home in scarlet — Scarlet
Scheduled to kickoff, then back to warm white on its own.

The same Omaha home switched to red and blue — Game day
Same house, same fixture, one tap later.

A large brick Omaha two-story in alternating red and green with uplights on the planting beds — December
Red and green on the roofline with the landscape lighting joining in on the same scene.

An Omaha two-story in orange and violet with a stone column washed amber for Halloween — October
Orange and violet for the month, scheduled, and switching itself back.

The whole elevation in the same color

The whole property, one tap

The largest group here, which is the answer to anybody who thinks this is a Christmas product.

An Omaha home with its whole front elevation in blue — The whole elevation in the same colorEvery zone set to one color, front elevation at full brightness.

An Omaha home and pool deck lit red at dusk — Full red
House, pergola and pool deck on one scene, one schedule.

An Omaha home and pool deck lit green at dusk — Full green
Same property, same evening, a different saved scene.

An Omaha home and pool deck lit pink at dusk — Pink
Color is per zone, so the house and the pergola can differ.

An Omaha home, pergola and pool deck lit blue at dusk — Whole property, one tap
House, pergola and hardscape all switched together.

An Omaha ranch home with its roofline in green — Green
One color across roofline and soffit, landscape lights left warm.

An Omaha ranch home in blue with a lit rock garden — Ranch elevation
A long ranch elevation. Brightness dialed down so the color stays clean.

An Omaha home with every roofline run set to the same soft pink — One soft pink, every run
One saved scene pushed to the whole elevation, gables and eaves together.

An Omaha home at twilight with its lighting just switched on — Dusk, lights coming up
Dusk trigger. The system comes up on its own as the light drops.

Color held apart by zone

The look most people land on

Gables in color, eaves left white, landscape left warm. Where most people land after a month of playing with it.

An Omaha home in blue and white with landscape uplighting — Color held apart by zoneGables in color, eaves left white: the two-zone look most people land on.

A long Omaha ranch elevation lit blue and white with landscape uplighting — The long ranch line
A low ranch roofline is the hardest to light well, because the run has to hold a straight line for its whole length.

An Omaha home lit blue and white under a rising moon, with an uplit tree in the front yard — Blue and white
Roofline, gable accents and landscape uplights running as one system. Omaha, Nebraska.

Close up, and off the house

The channel, and the structures

Nobody in this trade photographs the hardware, which is why it is worth photographing.

A lit pergola, pool deck and fire bowls at an Omaha home at dusk — Pergola and pool deckThe same channel run along a pergola fascia. Omaha, Nebraska.

Close view of the lit channel following two gable edges — Channel detail
The channel follows the gable line. By day it reads as trim.

A lit warm white run following the rake of a gable and turning at the peak on an Omaha home — The turn at a peak
One continuous line through the turn, with no gap and no doubled-up section. This is the part that fails on a cheap install.

The same hardware, photographed in daylight.

A night shot flatters any install. Daylight does not: in daylight a badly fixed channel has nowhere to hide. Two houses, uncropped.

A brick gable and white fascia on an Omaha home in daylight, the channel tucked under the roof edge as a slim line below the gutter — Brick and white fascia. The channel runs under the roof edge, and you have to know it is there to find it.

A shake gable meeting a shingled roof on an Omaha home in daylight, the run visible only as a narrow strip below the gutter line — A shake gable on a second house, so this is not one lucky angle. The run reads as a narrow strip below the gutter line.

The same arch, before dark and after.

A straight rake is easy. This octagonal turret is about as awkward as a front elevation gets, and the run keeps going through it.

The stucco arched entry turret of an Omaha home in daylight, nothing visible under the roof edge — Daylight. Nothing visible under the roof edge, on a curve where nothing can be hidden behind a fascia board.

The same stucco turret after dark, one continuous warm run following every facet of the octagon — After dark: one continuous run following every facet of the octagon, with no break at the corners.

How to judge any of these, including ours.

The line, not the dots

One continuous line rather than a string of bulbs. That is the diffuser doing its job.

Zoom in on any gable.

Where the color stops

Color lands where the homeowner chose and stops there. Every run is its own zone.

The everyday setting is white, not color.

What nobody photographs

Sealed terminations, capped ends, and a run that holds its line the length of an elevation.

We will show you ours in person.

You are on this one

The scene library

Organized by what the system is set to. Use it to work out what you would actually run, and to see that the everyday setting is a bigger part of owning this than December is.

The other one

The installs, in full

The same photographs organized by property instead: finished systems in the metro, each with what is lit, how it is zoned, and the decision that made it work.

See the installs, by property

See it on your house before you buy.

We measure on site, design it with you, and hand you a written quote. If you decide against it, you’ve lost an hour and gained a plan.

Not ready for a visit? Read compare the brands we are asked about, or what install day looks like.

Or call 402-810-3973. Same-day reply, most days.